Posts By Lacey Seidman

by (@Lacezilla)

VH1’s Top 100 Videos of 2011… So Far, Part III: The Top Ten

For those of you who haven’t been following along this week, welcome! We are in the home stretch of counting down the Top 100 Videos of 2011 … So Far, and for those of you who been riding shotgun, scanning through #100-51 and #50-11 of our list of the most-watched videos on, we salute your dedication and loyalty! Now, it’s onto the Top Ten. Drums, please…

10. Cee Lo Green, “F*** You”
What a year it’s been for Cee Lo! Kicking off his The Lady Killer album release with a powerful single that even had your grandma using cuss words, it was only right that he delivered a visual that packed the same punch. Co-written by Bruno Mars, the video for the happily hostile post-breakup anthem chronicles Cee Lo in a diner from childhood to adulthood, dealing with the hardships that often plague those looking for love. In case you can’t get enough of him, hold on to his sweet, nasty and sarcastic Valentine’s Day messages for next year, and check out his incredible Storytellers performance, too!

9. Christina Perri, “Jar of Hearts”
In a much more intense version of Cee Lo’s #10 video, You Oughta Know songstress Christina Perri airs some love-related greivances of her own. Stating very plainly that she refuses to become a notch on someone’s belt, the tattooed beauty opts to avoid an unhealthy romantic encounter with an ex. In the dark video, the male antagonist is literally running around leaving scars, sucking womens souls from their bodies. Eek! Who does he think he is? In any event, we’re proud of Christina for abstaining and staying strong. If you want to catch more of her, check out her Posted content and a super special YOK Live performance she graced us with.

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by (@Lacezilla)

Nicki Minaj’s Police Report Surfaces After Reported Scuffle With Her Assistant/Boyfriend

It’s tricky to fairly judge a book by its cover an incident by its police report, but after repeatedly denying that an altercation occured in her Dallas hotel Monday night, it seems that Nicki Minaj may have to clear the air with fans after all. TMZ has reportedly obtained official police documents that paint a picture of something we initially thought might be a fight with a male fan and turned it into something far worse: a lovers quarrel.

According to TMZ, the fiasco that would (allegedly) leave her bleeding first started when Young Money’s first lady was arguing with her assistant and boyfriend, Safaree Samuels, by the Palomar Hotel pool. Nicki asked a hotel employee to call the authorities before she followed Safaree up to their (shared) hotel room, and fearful that he was removing items he shouldn’t be, looked in his suitcase as he pulled it away, striking her in the mouth and chin. That’s when details become a bit fuzzy. Did he mean to hit her intentionally with the suitcase, or was it an accident? Why were they fighting, and why was she was worried he’d steal her possessions?

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by (@Lacezilla)

Weezy Releases New, Apologetic Mixtape To Appease Ravenous Fans

A rapper of Lil Wayne’s stature has certainly earned the right to release music whenever he wants to, so it’s sort of refreshing and endearing that the title of his newest mixtape is geared toward apologizing to his eager fans. Released late last night, Sorry 4 The Wait borrows beats from Rick Ross’ MMG protegé Meek Mill, Beyoncé’s “Run The World (Girls),” newly signed white femcee Kreayshawn, Young Money/Cash Money compatriot Drake, and street anthem “Racks” by Atlanta rapper YC.

Pushed back for quite a while now since being released from his eight-month stint in the clink, Weezy F Baby’s next full LP, Tha Carter IV, is finally set to street on August 29th. For those of us who can’t wait for tunes any longer, the new mixtape can be downloaded here, and since a now-sober Weezy is trying his hand at hip-hop without being completely kablammed (and because his last few rock-inspired records didn’t do as well as 2008’s Tha Carter III), we should probably accept his apology and support the new movement. Give the 12-track tape a whirl, and let us know what you think!

Lil Wayne Drops Mixtape ‘Sorry 4 The Wait’ [Idolator]

[Photo Credit: Getty Images]

by (@Lacezilla)

VH1’s Top 100 Videos of 2011 … So Far, Part II: #50-11

Yesterday, we introduced you to the upper reaches of our Top 100 Videos of 2011 … So Far list, serving up the #100-51 videos that you’ve been clicking on most so far this year. Although a hefty portion, consider that first installment just an appetizer for today’s first course and tomorrow’s main entree. Going a bit deeper into the list, we now give you #50-11, inching closer and closer to #1.

50. Train, “Hey, Soul Sister”
49. Goo Goo Dolls, “Notbroken”
48. Jennifer Lopez, “Love Don’t Cost a Thing”
47. Jennifer Hudson, “Where You At”
46. Beyonce, “Run The World (Girls)”
45. My Chemical Romance, “SING”
44. Adam Lambert, “If I Had You”
43. Fitz and The Tantrums, “Money Grabber”
42. Kid Rock ft. Sheryl Crow, “Collide”
41. Bruno Mars, “Just The Way You Are”

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by (@Lacezilla)

VH1’s Top 100 Videos of 2011 … So Far

As we parallel park into July and officially hit the curb of this year’s halfway point, it’s time to take a quick look back at what the past six months have taught us. Not conventional life lessons, however; we’re talking about stuff that’s a little bit less intense and also involves YOU! That’s right, in the first installment of our Top 100 Videos of 2011… So Far, we’re spilling the beans on the #100-51 most clicked-and-viewed videos on You’ll see that this piñata-like list of content contains tasty treats and slippery surprises alike! We’ve got brand-new videos that just recently launched, some VH1 Classic leaning clips (hey there, Megadeth), repeat offenders, and of course, effervescent, essential vids from the music video cannon. So take a look at the first fifty videos below and don’t forget to come back later this week as we continue on our quest to discover what artist snags the #1 spot!

100. Jack Johnson, “From The Clouds”
99. Chris Brown, “Deuces”
98. Ke$ha, “Tik Tok”
97. Bruno Mars, “The Other Side”
96. Beyoncé, “Video Phone (Extended Remix)”
95. Usher, “OMG”
94. B.o.B, “Airplanes”
93. Taylor Swift, “Mine”
92. Sara Bareilles, “King Of Anything”
91. John Legend & The Roots, “Wake Up Everybody”

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by (@Lacezilla)

Spice Girls’ “Wannabe” Milestone Triggers Sexy Waterfall of Girl-Power

Fifteen years ago, Spice Girls released their first single in the UK and set the pop world ablaze with a sassy little tune called “Wannabe” that introduced the duel concepts of Girl Power and zig-a-zig-ahhhhh. Eventually hitting #1 in thirty countries across the world, Spices Scary, Ginger, Posh, Sporty and Baby parlayed the “Wannabe” phenomenon into fame and fortune, selling twenty-three million copies of their debut album Spice and seizing the throne for the best-selling girl group in history.

Because we’re sentimental when it comes to all things pop culture, other fave lady jams started flooding our memory bank and got us thinking that, well, sometimes they can get a bit raunchy. However, to us, that’s the beauty of girl groups: They balance with one foot on the empowerment soapbox, and the other foot on the soapbox that reads “gimme some.” Maybe we have it all wrong, butthis list of ten anthems that say “come hither” all while commanding some R-E-S-P-E-C-T will bring you back in time and get you set for a (hopefully) spicy week.

10. Dream, “He Loves U Not”
Puffy’s Bad Boy girl grouppre-Danity Kane was sort of flop-ish, but their single wasn’t! And while the lyric “he’s into what he’s got” might be somewhat tame, it serves it’s purpose to give off a “there’s more where that came from” warning to ladies trying to steal their men.

9. Destiny’s Child, “Lose My Breath”
“Put it on me deep in the right direction,” demands Kelly Rowland in this uptempo Destiny’s Child track. Serving as both an aphrodisiac and a challenge, the entire song begs the question of the ladies’ male suitors: “Can you keep up?”

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by (@Lacezilla)

VH1 ALBUM-VERSARIES: Damon Dash And Clark Kent Wax Nostalgic On Reasonable Doubt At 15

Welcome to VH1’s new monthly series, Album-Versaries, in which we share fresh stories with you about the creation and lasting impact of some of the most important and influential albums in music history on their milestone anniversaries. Our first installment will focus on Jay-Z’s 1996 LP Reasonable Doubt, which just celebrated its 15th anniversary. This is Part II of a two-part series; Part I, Damon Dash Reflects on Jay-Z’s Reasonable Doubt On Its 15 Anniversary, ran yesterday.
Fifteen years ago, Jay-Z’s debut album, Reasonable Doubt, dropped on a largely unsuspecting public. For an independently produced album, it managed to debut pretty strongly on the charts (#23 on the Billboard 200), but it would still be a few years before Jay-Z’s became the household name it is today. That said, the LP now stands amongst the most highly regarded in hip-hop history and, in the timeline of Jay’s existence as both a person and an artist, represents the point in his life where he left the hustle of the streets behind and instead chose to pursue a career in music.
So, with Reasonable Doubt celebrating such an essential milestone, VH1 exclusively spoke to producers Ski and Clark Kent, as well as the album’s co-executive producer and co-founder of Roc-A-Fella Records, Damon Dash, about their recollections of the recording process. In Part II of VH1 Album-Versaries: Reasonable Doubt At 15, we’ll share with you stories Dame and Clark told us about the epic recording session of Jay and Biggie’s legendary track “Brooklyn’s Finest,” how these two feel about the gritty (and possibly unethical) themes of the album now that they have fifteen years worth of hindsight, and whether or not Jay and Dame will ever be able to repair their soured friendship.

There’s no definitive way to form a consensus for the best emcee of all-time, but anytime the question comes up, Jay-Z and the Notorious B.I.G. (aka Biggie Smalls) are ALWAYS part of the conversation. In fact, in an MTV survey conducted back in 2006, Jay-Z and Biggie were listed as the #1 and #3 MCs of all-time, respectively. However, back when Reasonable Doubt was being recorded, Biggie was on top of the world, while no one outside of Brooklyn really knew who Jay was. Despite this, and thanks to Biggie’s DJ and Jay’s then-producer Clark Kent, the pair were introduced in a hoodwinked fashion and eventually laid down a track together, “Brooklyn’s Finest.”
“I was on tour with Big, so I was playing Jay’s sh*t for him every day on the bus,” recalls Clark. “At that point, I had made him respect Jay’s craftsmanship.” So when Clark accidentally played the “Brooklyn’s Finest” beat in front of Biggie during a Unique Studios session with Junior M.A.F.I.A., Big heard it, and said he wanted it. “I told him it was for Jay, and he was like ‘you give Jay everything!'”
Demanding that he get on the track too, Biggie accompanied Clark to D&D Studios that night, but didn’t actually come inside. Upstairs, once Jay finished his verses for the song (that was then tentatively titled either “Once We Get Started” or “No More Mr. Nice Guy”), Clark asked if they could put Big on the record as well. Dame didn’t want to pay “Puff” (pardon, Diddy) for the feature, and Jay was hesitant because he (1) didn’t know the already-popular rapper and (2) had just finished the song, but they both agreed that if Big would do it for free, they’d be game. “I had Big in a car downstairs, waiting just in case,” explains Clark, who then told them he was going to the bathroom, and came back up with The Notorious himself. “Put them in front of each other, there was no denying what could happen.” Two months later, after Big had walked away with Jay’s re-done verses on cassette, he came back to spit his own, and the song was officially born.
And as for the result? Well, in a review of Reasonable Doubt that was included as part of their 2003 500 Greatest Albums of All-Time feature, Rolling Stone described the track as featuring “two hungry talents seemingly aware that they had no one to outduel but each other.”. We also asked Dash to shed some light on this legendary collaboration and how it finally came together and, well, let’s just say that a lot of the sticky icky-icky was involved. Watch Dame tell the light-hearted story in his own words in the video we have clipped for you below.

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by (@Lacezilla)

VH1 ALBUM-VERSARIES: Damon Dash Reflects on Jay-Z’s Reasonable Doubt On Its 15 Anniversary

Welcome to VH1’s new monthly series, Album-Versaries, in which we share fresh stories with you about the creation and lasting impact of some of the most important and influential albums in music history on their milestone anniversaries. Our first installment will focus on Jay-Z’s 1996 LP Reasonable Doubt, which just celebrated its 15th anniversary. This is Part I of a two-part series; Part II can be found by clicking here.

With worldwide record sales of over 30 million units, multiple successful business ventures that have lined his pockets with hundreds of millions of dollars, a best-selling book, and a happy marriage to the “hottest chick in the game,” there are seemingly few mountains for Jay-Z left to climb. However, just like any other self-made man, Jay-Z didn’t start out at the top. It’s hard to remember a time when he wasn’t an all-American, endorsement-toting, “Run This Town” business man, but the truth of the matter is that during the early nineties, Jay was running with a wild crew and involved in more than his fair share of illegal activities. Fifteen years ago, Jay-Z the Icon, Jay-Z the Business Man, and Jay-Z the “Best Rapper Alive” didn’t exist; at that time, he was simply Shawn “Jay-Z” Carter, a crack cocaine dealer turned rapper that, according to hip hop mogul Russell Simmons, “came from Damon [Dash]’s imagination.”

Then, on June 25, 1996, Reasonable Doubt dropped. Although it didn’t exactly fly off the shelves or spawn any Top 10 singles right off the bat, the LP now stands amongst the most highly regarded in hip-hop history and, in the timeline of Jay’s existence, symbolizes the pivotal point when his life could have conceivably gone in two wholly different directions. On the fifteenth anniversary of the album’s release, we exclusively spoke to producers Ski and Clark Kent, as well as the album’s co-executive producer and co-founder of Roc-A-Fella Records, Damon Dash, about their recollections of the recording process. Dash and Jay-Z have had a well-documented falling out in recent years, but that didn’t stop Dame from sharing some phenomenal stories with us about the brotherhood he and Hov shared during this crucial period in both of their lives, what it was like seeing Jay and the Notorious B.I.G. record their legendary track “Brooklyn’s Finest,” what he thinks of the gritty, unethical themes of Reasonable Doubt now that he’s got fifteen years worth of hindsight, and much more.


“He was one foot out the door to the street life,” recalls hip-hop producer Irv Gotti in VH1’s Classic Albums special on Jay-Z’s debut LP. Like many great artists across various mediums, Jay’s first work wasn’t initially met with universally glowing reviews out of the gate (although it would eventually earn them with the passing of time). Critical of the rapper’s flamboyant mafioso persona, a pattern of feedback emerged, praising the emcee for his articulate command of the language and conversational lyrical ability, but totally dismissing the album for its crime-ridden stories as having a “we’ve seen this before” quality to them: “Jay-Z’s street-savvy raps may seem like nothing new, but there’s a reason the Brooklyn native is topping the charts,” wrote Entertainment Weekly’s Dimitri Ehrlich in August of 1996, and the Los Angeles Daily News was cited as saying that his “sassy way with a lyric transcends the material.” Even The Source magazine’s hip-hop braintrust gave the album only four mics in their review (later changed to a “classic” rating of five mics).

To hear Damon Dash tell it, Jay-Z’s record industry prospects prior to the album’s release were going even worse for him than the media’s reception to his work. “I said he will be the greatest rapper of all-time at a time when everyone told me he was the worst rapper,” he explained to us about his conversations with the suits who run the record labels. “You understand? I had been shopping him, and everyone told me ‘He raps too fast.'” Feedback like this wasn’t about to dissuade the pair (alongside silent partner Kareem “Biggs” Burke), though, and they headed into studio feeling confident that they could birth the kind of record that would make their hustle’s potential turn to alchemical reality.

“Because we believed in it so much, you couldn’t even tell me that it wasn’t going to be the best album that was ever made,” Dash gushed. “And it’s funny because it became that.”

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by (@Lacezilla)

Beyoncé: Year of 4 VH1 Special Set To Premiere Thursday at 7:30 p.m. on VH1

International superstardom is exhausting, especially if you’re Beyoncé! After a fierce Sunday set at Glastonbury, Beyoncé’s 4 finally hits shelves this week, and yes, we’re absolutely ready for this album’s off-the-charts intimacy levels to stupefy our senses. As a hard-working entertainer dedicated to her craft, it’s no surprise that the talented renaissance woman needed and deserved a break from years of relentless recording, promoting and touring prior to releasing this record. But what, exactly, did Queen B do during her year away from the music business?

Premiering tomorrow night at 7:30 p.m. on VH1 and Palladia (7 p.m. ET/PT on MTV and BET), VH1 special Beyoncé: Year of 4 arrives just in time to bring the icon’s year-long adventure to light. (If you miss it, we’ll have it streaming on for 24 hours, too). Capturing her many experiences while traveling the world and re-examining her career, the film is equipped with footage taken with Bey’s camera and her own very-personal narration. Truly bringing us into her often-private world, Beyoncé ruminates on her life thus far, her marriage to rapper Jay-Z, her company and brand (after parting ways with father and former manager, Matthew Knowles), and the future she intends on building as a role-model for women around the world. In the sneak above, we follow Bey as she toboggans down the Great Wall of China, hangs with friends and family, and recognizes how taking time off never even occurred to her.

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by (@Lacezilla)

Foster The People Prove Themselves Worthy Of The Hype At Electric Bowery Ballroom Show

When it comes to embracing new artists, The Big Apple is notorious for being standoffish. Countless acts come through this town feeling intense pressure to perform, and like a picky suitor at a speed-dating event, New York and its sometimes-jaded tastemaker underbelly can oftendiscard a group within minutes. This premature blow to the ego, however, did not happen at the Lower East Side’s Bowery Ballroom last night. Performing their second sold out show in the concrete jungle in as many nights—the first of which was held Monday night in Brooklyn— indie pop rockers Foster The People managed to create an atmosphere that was full of wild, supportive energy, and not a heckler was in sight.

After their VH1 Big Morning Buzz Live interview yesterday morning with Top 20’s Jim Shearer, the band then graced our offices with a stripped-down You Oughta Know Live performance of four songs. Powered by Subway, Foster The People’s You Oughta Know run will officially kick off next week, so we were beyond stoked to see the trio’s exclusive taping before running downtown to experience the band’s full, five-man show in all it’s glory.

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