Each week here on the VH1 Blog, our VH1 Top 20 Video Countdown host Jim Shearer (@jimshearer on Twitter) will be sharing his Shearer’s Spotlight with us. Be sure to tune into the Top 20 Countdown on Saturday morning when it airs on VH1 at 9 a.m. ET/PT.

Jim Shearer

Jim Shearer

Halloween is tonight, but if you’re not an adolescent kid daydreaming of packing your pillowcase full of Snickers bars, you’ll probably be out and about looking to celebrate. While you’re stepping into your costume, click on these music videos that will surely entertain the ghoulish music fan within you:

10) Peaches, “Trick Or Treat”
If you’re familiar with Peaches, then you know this trick-or-treating party is for adults only.

9) Lady Gaga, “Telephone”
It’s always Halloween in Gaga’s world; soda cans in her hair only confirms it!

8) Michael Jackson, “Thriller”
I guess I had to include this one, huh?

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A Tribe Called Quest dropped their second full-length album, The Low End Theory, in late September of 1991. Widely recognized as a ground-breaking work today because of the manner in which it experimentally weaved layers of sampled jazz elements into its sound-bed, the album earned a spot in Time’s All-Time 100 Albums List, was named the #154 album of all-time by Rolling Stone and was celebrated at 2007′s VH1 Hip Hop Honors. The group recalls that early chapter of their career vividly, and last week, for A Tribe Called Quest’s first joint-interview since 1998, all four members of the group spoke exclusively to VH1 to mark the 20th anniversary of The Low End Theory’s release.

Aside from our celebration of this Album-Versary, ATCQ has been in the news quite a bit recently. Michael Rapaport’s award-winning documentary film, Beats, Rhymes & Life: The Travels of A Tribe Called Quest, played the festival circuit earlier this year, is due on DVD next month, and managed to kick up quite a media dirt-cloud in the process. In addition to providing an inner glimpse of the film’s starring group-members’ intertwined history, Beats, Rhymes & Life used issues surrounding a 2008 miscommunication-turned-scuffle between MCs Phife and Q-Tip as its second focus. Tribe’s fractured support of the film triggered cascading rumors of residual intra-group turmoil, but once content and contract disagreements and an intercepted-email incident were sorted out, the doc was finally released with ATCQ’s blessing.

For Questers, music fans and students of hip hop culture, Beats, Rhymes and Life is a must-see, but the effect it had on the lives of everyone involved in the project and the press frenzy that lingers might still be a bit misleading to the outside world. In order to help contextualize this landmark album’s impact, we spoke with MTV’s in-house hip hop expert Sway, cultural critic extraordinaire Nelson George, and international journalist Boss Lady about the resonance that this LP had then, and also now, 20 years later. And while A Tribe Called Quest appears to still be somewhat re-acquainting themselves with each other after dissolving in 1998 and wrestling with the last few years’ shell-shocking chain of events, it was clear from the time we spent with them that Kamaal “Q-Tip” Ibn John Fareed, Malik “Phife Dawg” Taylor, Ali Shaheed Muhammed and, yes, even Jarobi White are still very much an unbreakable Tribe of brothers.

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Last night’s episode of Bravo cooking show Top Chef: Just Desserts was Beastie Boys-themed, as contestants had to prepare concessions for a street art fair using ingredients mentioned in Beastie rhymes—two that they chose for themselves, and one each that was chosen for them by their competitors in the “Sabotage” round. (Get it?) The theme was occasioned by the appearance of guest judge Ad-Rock. While some of the desserts inspired by the two-time Rock and Roll Hall of Fame nominees looked potentially tasty, the real gem of the episode was the above web exclusive, in which Ad-Rock demonstrates his talents in the kitchen by revealing his top-secret sandwich recipe: peanut butter, jelly, Nutella, and a banana. What cooking brilliance! Also worth noting: he uses his hand to spread ingredients, and he thinks almond butter is kind of nasty.
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The nominees for the 2012 Class of the Rock And Roll Hall Of Fame were announced earlier today. The group is, as it has been for the last few years, an eclectic bunch made up of artists from a wide variety of musical genres: New nominees this year include The Cure, Eric B. & Rakim, Guns N’ Roses, Heart, Freddie King, the Red Hot Chili Peppers, Rufus and Chaka Khan, the Small Faces, the Spinners, and War, while holdovers that failed to get inducted last year are Beastie Boys, Donna Summer, Donovan, and Laura Nyro.

The RRHOF’s induction process is mysterious and secretive, so you don’t see the same kind of public campaigning by nominees for induction that you see in, say, the sports world. However, that doesn’t mean that the committee who makes the decisions of who gets honored and who gets snubbed isn’t reading this blog post. So, with that in mind, vote for the act that you feel is most deserving of the honor in our poll below, and maybe, just maybe, Jann Wenner and his band of choosy cronies will pay heed!

Rock Hall of Fame Nominates Guns ‘N Roses, Joan Jett, Beastie Boys [FoxNews]


From L to R: Rich Hil, Asher Roth and Chet Haze

In the nineties, you could count the number of commercial white rappers on one hand. Beastie Boys. Vanilla Ice. Marky Mark (and the Funky Bunch). Maybe Everlast and even 3rd Bass count too, although their “household name” reach wasn’t nearly as long. As a result, an entire generation of hip-hop fans grew up listening to a genre that was based in a primarily Urban setting, rarely poking its nichey head above ground into the pop arena. That didn’t stop the audience’s obsession with hip-hop though, and regardless of content relatability, the music managed to draw a crop of loyal, melanin-lacking disciples.

Putting his unquestionable talent aside, it’s not a huge surprise that Eminem’s Slim Shady LP was so well-received when Interscope helped him to first put take his underground music into the mainstream back in 1999. Paving the way for the constant flow of new, up-and-coming white rappers who idolized him back then, Eminem came to market with a blunt, true-to-self, lower socio-economic class character that was refreshing and different from the previous attempts of white rappers past. Looking the accidental mockery in the face, who can forget The White Rapper Show, for example? Whether you hated it or loved it, it was a trainwreck that you couldn’t resist watching, if only to laugh at the contestants’ hilarious missteps.

On Monday, it was announced that white rapper Rich Hil, son of fashion designer Tommy Hilfiger, was signed to Warner Brothers Records. This news not only continues to feed the growing trend of white rapper signings, but also the perpetuates the sub-genre craze that is now commonly referred to as “Frat Rap.” Focusing less on conveying social commentary or more personal issues, Frat Rap flaunts a party lifestyle, celebrating the cliche reckless behavior associated with college fraternities, like getting hammered, bagging girls, and partaking in experimental gateway drugs. Executing lyricism and celebrating the Bronx-born culture aren’t really a priority.

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We’ve been anticipating the Spike Jonze-helmed Beastie Boys action-figure music video for “Don’t Play No Game That I Can’t Win” since the band announced two weeks ago that they were reteaming with the director. Last night, the under-four-minute television edit premiered on Funny or Die, and early this morning the uncensored full-length video dropped on YouTube. Clocking in at over 11 minutes, and featuring not only the song’s LP version but also a French-house remix by Sebastian (when its musical soundtrack isn’t faded down for the Howie scream and other plot-related sound effects), the video is a suitable next chapter in the Boys’ continuing project of seventies pastiche. (Why haven’t they ever collaborated with Quentin Tarantino?)
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Yesterday, we introduced you to the upper reaches of our Top 100 Videos of 2011 … So Far list, serving up the #100-51 videos that you’ve been clicking on most so far this year. Although a hefty portion, consider that first installment just an appetizer for today’s first course and tomorrow’s main entree. Going a bit deeper into the list, we now give you #50-11, inching closer and closer to #1.

50. Train, “Hey, Soul Sister”
49. Goo Goo Dolls, “Notbroken”
48. Jennifer Lopez, “Love Don’t Cost a Thing”
47. Jennifer Hudson, “Where You At”
46. Beyonce, “Run The World (Girls)”
45. My Chemical Romance, “SING”
44. Adam Lambert, “If I Had You”
43. Fitz and The Tantrums, “Money Grabber”
42. Kid Rock ft. Sheryl Crow, “Collide”
41. Bruno Mars, “Just The Way You Are”

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The Beastie Boys announced on Friday that a Spike Jonze-helmed music video for new single “Don’t Play No Game That I Can’t Win,” featuring Santigold, is on its way later this month. The preview image above speaks volumes; the action-figure Beastie Boys, crouched for cover behind an overturned flatbed bearing their old-school logo, are prepared for some sort of Bond/Inception battle. We’re already excited.

That said, it seems slightly inaccurate to say that Jonze and the Beastie Boys have re-teamed, per se. The new clip likely didn’t require the Beastie Boys to even set foot in front of a camera or microphone, which probably suits them fine; they had a mere cameo, after all, in their “Make Some Noise” video. We are nonetheless thrilled to hear that Jonze is making another music video.

Over the past few years, music videos have had a miniature revival, but many of the innovative music video directors are no longer working in the medium. Jonas Åkerlund never stopped, but he’s enjoyed a return to popularity thanks to his videos for Lady Gaga (“Paparazzi” and “Telephone”). Nigel Dick also continues to make music videos, though his forté was teenpop; none of his videos for Nickelback and others have been anywhere near as iconic as clips he shot for Britney Spears (“…Baby One More Time,” “Sometimes,” “(You Drive Me) Crazy,” and “Oops…I Did It Again”) and the Backstreet Boys (“As Long As You Love Me,” “All I Have To Give,” “Drowning”), not to mention the MTV original movie 2Gether.

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It might not be officially “summer” until June 21, but that’s not stopping us from starting our 2011 Song of the Summer Countdown. All day today, we’ll be highlighting Song of the Summer contenders as chosen by people who not only work here, but those that live and breathe music. Up first, we’ve got three picks from Jim Shearer, host of the VH1 Top 20 Video Countdown, which airs each and every Saturday morning. Agree? Disagree? Let us know in the comments!

NOMINATION: Beastie Boys feat. Santigold, “Don’t Play No Game That I Can’t Win”
EXPLANATION: To the naked ear it sounds like a Santigold song featuring the Beastie Boys, but don’t be fooled. When MCA, Mike D, and Ad-Rock were crafting the instrumental for this beachside-reggae delight, they were having trouble piecing it into a proper song until they got on the bat-phone and rang Santigold. “Don’t Play No Game” is pop enough for mainstream radio, but will Katy Perry, Beyoncé, and Ke$ha fans open their ears to listen?

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Today’s new releases are dominated by highly-anticipated and mostly well-received studio recordings from two career artists returning from extended absences: Stevie Nicks and the Beastie Boys.

Stevie Nicks has not released a solo studio album since 2001′s Trouble in Shangri-La, which came amidst the 1997 reunion of Rumours-lineup Fleetwood Mac, which began with the ultra-successful tour and live album The Dance (after which Christine McVie left the group) and ended with the allegedly rancorous recording sessions that led to the nevertheless successful Say You Will in 2003. After 2003, she continued to play shows, and in 2008 released a live DVD, but has not released solo recordings until today.

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