Thanks to a combination of high wattage star power and a weakened roster of American Idol candidates, NBC’s The Voice was able to capture the fancy of American television audiences this springtime and delivered huge viewership numbers to its network. Last night, the judges and audience voted to select the show’s four finalists. If you haven’t been watching (or even if you have!), we put together a quick primer for you on who the remaining candidates are and why you should root for them, which you can use to prepare for next week’s finale, airing on Tuesday and Wednesday of next week.
WHO: Javier Colon (Top Left)
COACH: Adam Levine
SOUNDS LIKE: Brian McKnight
WHY YOU SHOULD ROOT FOR HIM: Funny, the reason you should root for him is the same as why some are rooting against him. You see, Javier Colon released two albums —he was simply called Javier at that time— on Capitol Records in the mid-aughts. Some would argue that he never really got a fair shake from his label during those tumultuous years for the industry, while others would say that he’s already got his shot and doesn’t deserve another one.
WHO: Dia Frampton (Top Right)
COACH: Blake Shelton
SOUNDS LIKE: Vanessa Carlton
WHY YOU SHOULD ROOT FOR HER: Much like her competitor Javier Colon, Frampton has a major label background; along with her sister Meg, the two released the album Here, Here, and Here on Sire Records in 2009. They were later dropped by Warner Bros., Sire’s parent company, in July of 2010. Will America give her another chance to make it big?
To usher in the next stage of the Rube Goldberg competition structure on NBC’s The Voice, the show opened with another judge-quartet performance, this time a medley of three of Queen‘s biggest hits. For the myriad sing-alongs the band inspires, Queen is really tough to cover, and unfortunately, it shows a little in this performance.
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Buoyed by an extended onslaught of promotion, the premiere of NBC’s new series The Voice scored big ratings, outranking stiff competition in its two genres: music (Glee) and reality (Dancing with the Stars). The show’s structure is overly complicated (the four judges each recruit a team of eight singers, then train their team for competition against the other judges’ teams), and a few suspense beats that would have worked on series creator Mark Burnett‘s biggest success, Survivor, fell flat, but overall, the show works. So, a quick rundown:
By way of introduction, The Voice‘s four artist/judges performed Gnarls Barkley‘s “Crazy,” with Adam Levine on drums, Blake Shelton on guitar, and Christina Aguilera joining Cee Lo Green on lead vocals. The quartet won’t be forming a super-group anytime soon, but their rendition was polished, and successfully communicated the artists’ willingness and ability to succeed in a variety of musical genres.
The contestants range from rank amateurs to near-professionals: After belting Faith Hill‘s “Breathe,” Tarralyn Ramsey tearfully ad-libbed a few bars of “What a Girl Wants” when she was selected by Aguilera, confessing that she sang along to all of Aguilera’s songs, “even the Spanish ones.” She didn’t mention that in 2003, she won VH1′s Born to Diva competition, performed on Divas Duets, and got a one-record deal with Universal—the same grand prize offered by The Voice.
Jeff Jenkins, on the other hand, isn’t even a webcam Youtuber like some of the amateur hopefuls, yet he impressed all four judges with his rendition of “Bless the Broken Road,” made famous by Rascal Flatts.
And so on. The “surprises” weren’t particularly exciting: a duo! Disqualified American Idol contestant Frenchie Davis! (Also a pretty decent cover of “Rolling in the Deep”!)
But the clear audience favorite was Javier Colon: his emotive guitar-and-vocal rendition of Cyndi Lauper‘s “Time After Time” is currently the 43rd best-selling song on iTunes, where all of the audition songs became available for purchase immediately after the premiere.











