Madonna may have dropped a tidbit or two about her own music while in Venice promoting her new film W.E., but ask about the careers of others at your own peril. Belgian reporter Nicolas Crousse learned as much when he tried to draw a parallel between the film and Madonna’s life.

In W.E., Abbie Cornish‘s character Wally is an obsessed admirer of Wallis Simpson (the “W.” of the film’s title) who, in a parallel story over a half-century after the 1930s drama of Simpson and Edward VIII (the “E”), conspires to win a Wallis Simpson heirloom at a Sotheby’s auction. In his interview for Belgian newspaper Le Soir, Crouse asked Madonna if Wally’s fascination with Wallis could be seen as a commentary on the fascination Madonna’s fans (in particular Lady Gaga) have with the Material Girl.

Madonna dismissed the question outright, saying that Wally’s story offered an additional perspective on Wallis Simpson, to complicate what might otherwise be seen as black and white (“tout blanc ou tout noir”). “As for Lady Gaga,” she continued, “I have no comment to make about her obsessions having to do with me because I don’t know whether her behavior is rooted in something deep and meaningful, or superficial,” (per E! Online‘s English translation of her remarks). Madonna’s answer was an expert dodge of both a tangential topic and a potential PR fumble regarding any Gaga news of which she might not be aware. Nevertheless, Gaga can’t be pleased with the nature of the response.
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After Lady Gaga spent the 2011 Video Music Awards in Jo Calderone‘s plain attire, you’d be forgiven for thinking that she went a step further for the October 2011 cover of Harper’s Bazaar, appearing as Stefani Germanotta. Of course, it’s never so simple for Gaga, who would insist that appearing as “herself” would be a betrayal of appearing as her self. Though, as Laura Brown‘s interview explains, the “basically barefaced Gaga is very deliberately dressed down,” this, to Gaga, is just as artificial as any other way she has appeared:

Don’t you think that what’s on the cover of a magazine is quite artificial? There’s this idea that it’s all natural, but everything’s been staged to look natural. It is also an invention. It’s just that my inventions are different. I often get asked about my artifice, but isn’t fashion based on the idea that we can create a fantasy?

Gaga’s point here gets some support from the magazine itself, when a caption in its online Gaga gallery offers the advice, “To get Lady Gaga’s no-makeup look, try Studio Sculpt SPF 15 Foundation ($29.15), Prep + Prime Highlighter ($23), Brow Gel ($15) and Prep + Prime Lash ($15). All M.A.C.”
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Tags: , Lady Gaga

For the last 14 weeks, we’ve been tracking the race to see which track would become this year’s Song Of The Summer. Since people consume music in so many different ways these days, our goal was to put together a democratic formula that compared how a group of over 70 songs performed across five of the primary channels that people frequently use to listen to their favorite jams: the Billboard Hot 100 (radio play & sales), the iTunes charts (pure sales), Last.fm scrobbles (listening on computer and mobile devices), the YouTube music charts (streams) and, of course, our VH1 Top 20 Video Countdown. Each week, we tracked how our group of competitors fared in each of these different platforms, and then added up the results.

So, without any further ado, we are psyched to announce that Katy Perry has taken home the first place prize in VH1′s first annual Song Of The Summer competition! When the summer began, it looked like Adele‘s “Rolling In The Deep” was going to be an unstoppable force, but as soon as Katy dropped her 80s-tastic “Last Friday Night (T.G.I.F.)” video during the week of June 27th, she dominated the countdown from there on out. Katy was gracious enough to film an quick speech for us while she accepted our totally awesome Song Of The Summer trophy, which we’ve got for you above.

For you completists, here is our final Song Of The Summer countdown chart (that is, until Memorial Day 2012 rolls around!). And you’re on Spotify, you can subscribe to our VH1 Song Of The Summer 2011 playlist and re-live the summer whenever you want.


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Sad to say, but the impending arrival of Labor Day weekend means it’s time to put another summer in the books. All summer long, we’ve been keeping a close eye on the race to determine this year’s Song Of The Summer, following how songs have performed in terms of the Billboard Hot 100, iTunes sales, Last.fm scrobbles, YouTube streams and, of course, our VH1 Top 20 Video Countdown.

We’re going to announce this summer’s winner here on the VH1 Blog on Tuesday, but before we do that, we’d love to find out what YOU, the VH1 audience, felt was this year’s Song Of The Summer. What song did you jam the most on the beach? Which track was blasting when you put your ragtop down so your hair can blow? What jam got you and your friends pumped up for a night out on the town? Vote as many times as you like in our poll below. (Oh, and congrats to You Oughta Know artist Foster The People for being only the third song all summer long to hold the top spot in our countdown with their zeitgeisty smash, “Pumped Up Kicks”!)

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Lady Gaga flipped the script on those who speculated as to what she’d wear to the 2011 Video Music Awards by spending the entire show in character as Jo Calderone and making a case that when one is expected to wear something particularly outlandish, the most surprising choice is to dress down (albeit in drag). Adopting an accent reminiscent of VMA-infamous Andrew Dice Clay, “Calderone” monologued at length (Kanye, eat your heart out) prior to “his” performance of “Yoü and I.” When she wasn’t laying it on a little too thick (“And then the guys—meaning me; I’m one of the guys“) she was alternately self-aggrandizing and self-mocking, describing a Gaga who wears her heels in the bathtub and never breaks character except at orgasm.

After three and a half minutes, she launched into her performance of “Yoü and I,” first solo at the piano, then at the head of an all-male crew of backup dancers, with Brian May playing guitar behind a pillar until Gaga introduced him for his solo, to the absolute delight of Dave Grohl (to whom the cameras cut away as he grinned and pumped his fists in the air).

“Calderone” got a bit more confrontational when presenting Britney Spears with the Video Vanguard Award. After claiming to have masturbated to posters of Britney in her introduction, she moved in for a kiss, which Britney considered, then declined, remarking, “I’ve done that already.” Maybe Jo had whiskey-breath; cutaways to the audience showed Gaga, glass in hand, all night.
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Nearly every truly iconic music video since 1984 has been nominated for at least one Video Music Award in its year of eligibility, but in the twenty-seven years that the ceremony has been held, only ten individual music videos have won five or more Moonmen. (This year, Adele‘s “Rolling In The Deep” and Katy Perry‘s “E.T.,” featuring Kanye West, could potentially join the club.) These videos got the attention and praise of everybody in their respective years of release. But do they stand the test of time? What about their competition? Here’s our look at the ten most-lauded videos in VMA history.

Madonna, “Ray of Light”: Five VMAs (of eight nominations)
Concept: Madonna raves on fast-forward all over the planet.
Competition: “Ray Of Light” wasn’t the only video with eight nominations: Garbage‘s video for “Push It” had as many nods (though, ultimately, no wins). We’d totally forgotten about “Push It,” actually, and its stocking-masked nun heist/exorcism would be huge today, because it looks like a Lady Gaga video from the 1990s, and if there are two things music fans like these days, they’re Lady Gaga and the 1990s. The year of eligibility for this ceremony was also the height of jiggy rap, but while Diddy‘s five nominations were split among four videos (Puff Daddy and the Family: “It’s All About The Benjamins”; Notorious B.I.G. Featuring Puff Daddy: “Mo Money Mo Problems”; Mariah Carey Featuring Puff Daddy and the Family: “Honey (Remix)”; Puff Daddy & Jimmy Page: “Come With Me”), Will Smith got as many nominations just for “Gettin’ Jiggy Wit It” (though the video only won one Moonman).
Verdict: While we love “Push It,” the fact that we had to refresh our memory sort of proves that “Ray Of Light” was simply the stronger video that year. As for jiggy rap? Hype Williams was robbed, sure—none of the Best Direction nominees, even, were jiggy rap—but Diddy has gotten his fair share of VMAs over the years (and even hosted one of the ceremonies). HOLDS UP
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At this time last year, hopes for Maroon 5‘s third studio album, Hands All Over, were high. The lead single, “Misery,” had hit #1 on Billboard‘s Adult Pop chart, and since the band had convinced famed superproducer Robert “Mutt” Lange to come out of semi-retirement to produce their album, everyone looked for the band to take the leap from a well-liked, fairly popular M.O.R. band to the next level and a spot among the world’s most commercially successful bands. However, once the album finally hit streets in October 2010, the masses shrugged their shoulders and largely ignored the album. The record was certified gold by the RIAA for shipping over 500,000 copies, but worldwide sales stalled out at just 529,000 total units.

Perceived failures like this have sunk many a band in the past, but thanks to charismatic frontman Adam Levine and ten weeks of national TV exposure courtesy of NBC/Universal’s The Voice (corporate synergy at its finest!), the band has totally reversed their fortunes in less than a year. Their new track, “Moves Like Jagger,” hit #1 on the iTunes chart this week, and Levine’s featured hook on Gym Class Heroes“Stereo Hearts” propelled the song to a Top 20 finish in this week’s Song Of The Summer countdown. No wonder artists like Mariah Carey (The X-Factor), Sara Bareilles (The Sing Off) and more are looking to land prime positions as judges on televised singing competition shows; it’s exactly the kind of exposure to Middle America that the flagging music business is no longer in a position to give these artists using “traditional” music channels. As Maroon 5 has proved, it’s great work if you can get it!

As for the rest of our Song Of The Summer chart —only two more weeks until we crown a champion!— kudos to Katy Perry for her ninth consecutive week in the #1 spot.


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The high-concept promo for the 2011 Video Music Awards’ Britney Spears tribute (which may be teasing a performance by Janet Jackson) has company: a titillating series of promos for Lady Gaga‘s upcoming VMA performance (just announced yesterday). The black-and-white spots are a striking contrast against both the clue-filled symbology of the Britney promo and the captivating grotesquerie of Lady Gaga’s videos (most recently “Yoü And I”)—that is, unless it’s a hint itself, at the Amy Winehouse tribute that is said to be in the works.

In one of the spots, Gaga removes her bra on-camera as she recasts “Yoü And I” in a lounge-jazz mold, not unlike the Sinatra-fied renditions of Pearl Jam‘s “Jeremy” and Cypress Hill‘s “Insane In The Brain” that Toby Huss (“Artie, The Strongest Man In The World” on The Adventures Of Pete And Pete) turned out for 1994′s “MTV Keeps You Plugged In” ad campaign (not to mention his medley, in the same style, of the Best Song From A Movie nominees, at the 1994 VMAs).
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This morning’s announcement of Lady Gaga as a performer at this year’s Video Music Awards is the latest sort-of confirmation of a big VMA rumor that’s been going around since reality-TV production coordinator Johnathan Woodbeck tweeted it the day after the Britney Spears VMA promo, above, premiered. According to Woodbeck’s tweet, the show will contain a star-studded tribute medley with one song from each of Britney’s albums, followed by the presentation of a Lifetime Achievement Award (presumably the Video Vanguard Award?) by none other than Madonna. The rumored performance lineup (via Lainey Gossip):
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Lady Gaga‘s video “Yoü and I,” set to premiere Thursday at 7:49PM as an MTV First presentation, surfaced today, possibly leaked by Gaga herself. Her three tweets “F—K,” “THURS,” and “DAY,” (meeting the quota to fulfill he promise that the “Yoü and I” video would be her 1,000th tweet,) popped up just after 12:00 p.m. ET, but the official YouTube upload only followed the “unauthorized” uploads.

Conceptually speaking, the video boils down to “The Cornfield Of Love-Doctor Moreau.” The sculpted, shirtless mad scientist is the only “man” in the video (other than Jo Calderone, an alter ego of Gaga’s) and the female-coded characters in this video, which run the gamut from the black-clad Alexander McQueen (RIP) by way of Lars von Trier‘s Antichrist owl-woman to “Yuyi,” the mermaid, are his creations, and all walk the Gaga line between the biological and the constructed.

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Tags: , Lady Gaga