by (@Lacezilla)

VH1 ALBUM-VERSARIES: A Tribe Called Quest Unites To Celebrate The 20th Anniversary Of The Low End Theory (PART I of II)

A Tribe Called Quest dropped their second full-length album, The Low End Theory, in late September of 1991. Widely recognized as a ground-breaking work today because of the manner in which it experimentally weaved layers of sampled jazz elements into its sound-bed, the album earned a spot in Time’s All-Time 100 Albums List, was named the #154 album of all-time by Rolling Stone and was celebrated at 2007′s VH1 Hip Hop Honors. The group recalls that early chapter of their career vividly, and last week, for A Tribe Called Quest’s first joint-interview since 1998, all four members of the group spoke exclusively to VH1 to mark the 20th anniversary of The Low End Theory’s release.

Aside from our celebration of this Album-Versary, ATCQ has been in the news quite a bit recently. Michael Rapaport’s award-winning documentary film, Beats, Rhymes & Life: The Travels of A Tribe Called Quest, played the festival circuit earlier this year, is due on DVD next month, and managed to kick up quite a media dirt-cloud in the process. In addition to providing an inner glimpse of the film’s starring group-members’ intertwined history, Beats, Rhymes & Life used issues surrounding a 2008 miscommunication-turned-scuffle between MCs Phife and Q-Tip as its second focus. Tribe’s fractured support of the film triggered cascading rumors of residual intra-group turmoil, but once content and contract disagreements and an intercepted-email incident were sorted out, the doc was finally released with ATCQ’s blessing.

For Questers, music fans and students of hip hop culture, Beats, Rhymes and Life is a must-see, but the effect it had on the lives of everyone involved in the project and the press frenzy that lingers might still be a bit misleading to the outside world. In order to help contextualize this landmark album’s impact, we spoke with MTV’s in-house hip hop expert Sway, cultural critic extraordinaire Nelson George, and international journalist Boss Lady about the resonance that this LP had then, and also now, 20 years later. And while A Tribe Called Quest appears to still be somewhat re-acquainting themselves with each other after dissolving in 1998 and wrestling with the last few years’ shell-shocking chain of events, it was clear from the time we spent with them that Kamaal “Q-Tip” Ibn John Fareed, Malik “Phife Dawg” Taylor, Ali Shaheed Muhammed and, yes, even Jarobi White are still very much an unbreakable Tribe of brothers.

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by (@Lacezilla)

MTV Memories: How YO! MTV Raps First Made Hip Hop Mainstream

With MTV officially celebrating its 30th birthday today, music nostalgia is in the air. But for each music fan, the initial introduction to MTV’s music programming was unique and personal, and likely rouses up flashbulb memories to this very day. Speaking only for myself, that initiation process started with YO! MTV Raps.

After being on the air for almost seven years, MTV first aired YO! in April of 1988. While other television outlets like BET were showcasing African-American culture at the time, MTV, quite frankly, wasn’t really in the business of having black artists’ videos on the channel. And hip hop, specifically, was certainly not yet used as a vehicle of pop culture; if it wasn’t an indisputable, mainstream force like Michael Jackson, you probably wouldn’t see African-American artists on-air besides an occasional crossover video from Run DMC and Jazzy Jeff. Unless you witnessed hip hop music and culture bubbling within New York City’s five boroughs or other domestic regional pockets first hand (or watched Video Music Box), the genre probably hadn’t really made its way into your world yet.

From it’s inception, YO! MTV Raps curated an balance of hip hop via in-the-moment self-exploration. Since hosts Fab 5 Freddy, Doctor Dré and Ed Lover didn’t have quite enough content to populate the show’s segments at first, videos from other genres like reggae, funk, R&B and soul were peppered-in to help hip hop’s still-developing definition expand its scope. From that fundamental, harmonious and educational coexistence came more of the same, and soon light-hearted videos like Digital Underground’s “Doowutchalike” and “Humpty Dance” were seamlessly airing beside Public Enemy’s political anthem “Fight The Power” and sonically dynamic “Passin’ Me By” from The Pharcyde, and the South’s sexually-charged posse 2 Live Crew were showcased just as much as funky artists from Queens like A Tribe Called Quest. Additionally, lyrically savvy Juice Crew member Big Daddy Kane would spin alongside the West Coast’s gangster juggernaut N.W.A., and strong female voices like Queen Latifah, MC Lyte and Roxanne Shanté: all women who didn’t need to sell sex to survive.

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by (@unclegrambo)

Shearer’s Spotlight: Fireworks, Barbeques And The Fourth Of July

Each Friday here on the VH1 Blog, our VH1 Top 20 Video Countdown host Jim Shearer (@jimshearer on Twitter) will be sharing his Shearer’s Spotlight with us. This feature will include three things —sometimes related, sometimes not!— that Jim is obsessing over this week. Be sure to tune into the Top 20 countdown when it airs on VH1 at 9 a.m. ET/PT tomorrow morning, coming at you from the lovely environs of Long Branch, New Jersey.

For years I’ve been compiling Fourth of July mixtapes and playlists. Sometimes I keep them thematic, and sometimes it’s just about choosing tracks that will keep the backyard barbeque rockin’.

Anthems like Katy Perry’s “Firework,” Bruce Springsteen’s “Born In The U.S.A.,” or George Michael’s “Freedom! ’90″ are obvious boom-box picks, but if you want to get downright specific, here are my three favorite Fourth of July songs that actually mention the holiday by name:

“Good” by Better Than Ezra
Depending on how you listen to this classic ‘90s modern rock ditty, you could either take it as joyous song of freedom, or a sad breakup tune. Either way, Better Than Ezra’s Kevin Griffin points out that the only time he’ll possibly call or write his ex is on—you got it—the Fourth of July.

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Hip Hop Honors Interview: Chuck D And Boots Riley

All this week, we’ll be bringing you behind-the-scenes interviews recorded during the rehearsals for this year’s Hip Hop Honors (the show taped a few weeks ago, but will premiere on air Tuesday, Oct. 13 at 9/8c). We kick things off with Public Enemy frontman Chuck D and Boots Riley of the Coup and Street Sweeper Social Club. They talk about what Def Jam Records (the subject of this year’s Honors) means to them and Chuck explains why he’s disappointed that a certain someone isn’t on the lineup for this year’s show. If he were 100 percent satisfied with the way things are, he just wouldn’t be Chuck D.

For more Hip Hop Honors exclusives, check out Global Grind.

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Hip Hop Honors Def Jam show page

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