A Tribe Called Quest dropped their second full-length album, The Low End Theory, in late September of 1991. Widely recognized as a ground-breaking work today because of the manner in which it experimentally weaved layers of sampled jazz elements into its sound-bed, the album earned a spot in Time’s All-Time 100 Albums List, was named the #154 album of all-time by Rolling Stone and was celebrated at 2007′s VH1 Hip Hop Honors. The group recalls that early chapter of their career vividly, and last week, for A Tribe Called Quest’s first joint-interview since 1998, all four members of the group spoke exclusively to VH1 to mark the 20th anniversary of The Low End Theory’s release.

Aside from our celebration of this Album-Versary, ATCQ has been in the news quite a bit recently. Michael Rapaport’s award-winning documentary film, Beats, Rhymes & Life: The Travels of A Tribe Called Quest, played the festival circuit earlier this year, is due on DVD next month, and managed to kick up quite a media dirt-cloud in the process. In addition to providing an inner glimpse of the film’s starring group-members’ intertwined history, Beats, Rhymes & Life used issues surrounding a 2008 miscommunication-turned-scuffle between MCs Phife and Q-Tip as its second focus. Tribe’s fractured support of the film triggered cascading rumors of residual intra-group turmoil, but once content and contract disagreements and an intercepted-email incident were sorted out, the doc was finally released with ATCQ’s blessing.

For Questers, music fans and students of hip hop culture, Beats, Rhymes and Life is a must-see, but the effect it had on the lives of everyone involved in the project and the press frenzy that lingers might still be a bit misleading to the outside world. In order to help contextualize this landmark album’s impact, we spoke with MTV’s in-house hip hop expert Sway, cultural critic extraordinaire Nelson George, and international journalist Boss Lady about the resonance that this LP had then, and also now, 20 years later. And while A Tribe Called Quest appears to still be somewhat re-acquainting themselves with each other after dissolving in 1998 and wrestling with the last few years’ shell-shocking chain of events, it was clear from the time we spent with them that Kamaal “Q-Tip” Ibn John Fareed, Malik “Phife Dawg” Taylor, Ali Shaheed Muhammed and, yes, even Jarobi White are still very much an unbreakable Tribe of brothers.

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Finally liberated at midnight on iTunes last night, I didn’t even bother to give the album that’s projected to sell 400-500K copies a listen. Like any “grower” project, Watch The Throne deserves more attention than a few hours on a Sunday night before bed, and is one whose layers need to be peeled away over time. Unfortunately, the worldwide web and the social media news cycle don’t really allow for that kind of preciousness, so whether anyone is taking an interest in the sea of quick-trigger opinions or not, we’re all lured into engaging in text message/blog post/140-character word-vomit assessments.

All for starting a dialogue on the topic of music, sitting here trying to write a comprehensive critique for this still-warm and super-dense album is challenging, especially since there has been so much hype swirling around it for months. “H.A.M.” dropped too early, release dates got pushed back, exclusive listening sessions were embargoed (but still tweeted about and sprung audio leaks), and Hov learned from his wife’s troubles, never allowing his baby with Kanye to be born premature. Digital files now in hand before friday’s physical release date, is the album all that we wanted it to be?

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Brooklyn rap fans were abuzz before Q-Tip‘s headlining set at the 2011 Brooklyn Hip Hop Festival on Saturday. After all, “Q-Tip + Friends” couldn’t just refer to the supporting sets by Random Axe, M.O.P. and others, right? Rumor had it that A Tribe Called Quest would reunite—which makes a sort of sense, since Ali Shaheed Muhammad was also on the bill and Beats, Rhymes, and Life is in theaters. What the crowd wasn’t expecting was that Q-Tip’s “friends” would include Kanye West. After performing “Dark Fantasy” and “All of the Lights,” Kanye backed Q-Tip on ATCQ classic “Award Tour” (something Kanye knows a little bit about). Watch the performance above!

Kanye wasn’t the only high-profile guest during Q-Tip’s set. Black Thought of The Roots performed with Q-Tip on a number of songs. And while Phife Dawg did not appear to complete a Tribe reunion, Busta Rhymes did, to perform his verse on “Scenario.” Watch below:

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