A Tribe Called Quest dropped their second full-length album, The Low End Theory, in late September of 1991. Widely recognized as a ground-breaking work today because of the manner in which it experimentally weaved layers of sampled jazz elements into its sound-bed, the album earned a spot in Time’s All-Time 100 Albums List, was named the #154 album of all-time by Rolling Stone and was celebrated at 2007′s VH1 Hip Hop Honors. The group recalls that early chapter of their career vividly, and last week, for A Tribe Called Quest’s first joint-interview since 1998, all four members of the group spoke exclusively to VH1 to mark the 20th anniversary of The Low End Theory’s release.

Aside from our celebration of this Album-Versary, ATCQ has been in the news quite a bit recently. Michael Rapaport’s award-winning documentary film, Beats, Rhymes & Life: The Travels of A Tribe Called Quest, played the festival circuit earlier this year, is due on DVD next month, and managed to kick up quite a media dirt-cloud in the process. In addition to providing an inner glimpse of the film’s starring group-members’ intertwined history, Beats, Rhymes & Life used issues surrounding a 2008 miscommunication-turned-scuffle between MCs Phife and Q-Tip as its second focus. Tribe’s fractured support of the film triggered cascading rumors of residual intra-group turmoil, but once content and contract disagreements and an intercepted-email incident were sorted out, the doc was finally released with ATCQ’s blessing.

For Questers, music fans and students of hip hop culture, Beats, Rhymes and Life is a must-see, but the effect it had on the lives of everyone involved in the project and the press frenzy that lingers might still be a bit misleading to the outside world. In order to help contextualize this landmark album’s impact, we spoke with MTV’s in-house hip hop expert Sway, cultural critic extraordinaire Nelson George, and international journalist Boss Lady about the resonance that this LP had then, and also now, 20 years later. And while A Tribe Called Quest appears to still be somewhat re-acquainting themselves with each other after dissolving in 1998 and wrestling with the last few years’ shell-shocking chain of events, it was clear from the time we spent with them that Kamaal “Q-Tip” Ibn John Fareed, Malik “Phife Dawg” Taylor, Ali Shaheed Muhammed and, yes, even Jarobi White are still very much an unbreakable Tribe of brothers.

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With MTV officially celebrating its 30th birthday today, music nostalgia is in the air. But for each music fan, the initial introduction to MTV’s music programming was unique and personal, and likely rouses up flashbulb memories to this very day. Speaking only for myself, that initiation process started with YO! MTV Raps.

After being on the air for almost seven years, MTV first aired YO! in April of 1988. While other television outlets like BET were showcasing African-American culture at the time, MTV, quite frankly, wasn’t really in the business of having black artists’ videos on the channel. And hip hop, specifically, was certainly not yet used as a vehicle of pop culture; if it wasn’t an indisputable, mainstream force like Michael Jackson, you probably wouldn’t see African-American artists on-air besides an occasional crossover video from Run DMC and Jazzy Jeff. Unless you witnessed hip hop music and culture bubbling within New York City’s five boroughs or other domestic regional pockets first hand (or watched Video Music Box), the genre probably hadn’t really made its way into your world yet.

From it’s inception, YO! MTV Raps curated an balance of hip hop via in-the-moment self-exploration. Since hosts Fab 5 Freddy, Doctor Dré and Ed Lover didn’t have quite enough content to populate the show’s segments at first, videos from other genres like reggae, funk, R&B and soul were peppered-in to help hip hop’s still-developing definition expand its scope. From that fundamental, harmonious and educational coexistence came more of the same, and soon light-hearted videos like Digital Underground’s “Doowutchalike” and “Humpty Dance” were seamlessly airing beside Public Enemy’s political anthem “Fight The Power” and sonically dynamic “Passin’ Me By” from The Pharcyde, and the South’s sexually-charged posse 2 Live Crew were showcased just as much as funky artists from Queens like A Tribe Called Quest. Additionally, lyrically savvy Juice Crew member Big Daddy Kane would spin alongside the West Coast’s gangster juggernaut N.W.A., and strong female voices like Queen Latifah, MC Lyte and Roxanne Shanté: all women who didn’t need to sell sex to survive.

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Robyn Covers “Every Teardrop Is A Waterfall” For BBC
Listen to Robyn‘s rendition of the Coldplay single, on BBC’s Radio 1 Live Lounge, on YouTube.

Anniversaries: Nevermind Reissue To Contain Demos; Is This It Tribute
The 20th Anniversary reissue of Nevermind, due out September 27, will come in 1-CD, 2-CD, and 4-CD/1-DVD formats, the lattermost of which will contain all of producer Butch Vig‘s original mixes as well as boombox recordings. And here we thought there was no unheard Nirvana in the vault. [Spin]

Meanwhile, Stereogum celebrates the tenth anniversary of the Strokes’ Is This It (released July 30, 2001 in Britain) with Stroked, a front-to-back tribute to the album (in its original form; there’s no cover of “When It Started,” the song that replaced the critical “New York City Cops” when the album was released in the United States less than a month after the September 11 attacks). [Stereogum]
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We’ve still got a few more episodes yet to air from the first season of Single Ladies, but we didn’t want to keep you guys in suspense any longer. We’re THRILLED to announce that Single Ladies has been renewed for a second season, and stars Stacey Dash, LisaRaye McCoy and Charity Shea will all be returning, too. We don’t have any information yet on when the second season will air, but as soon as we learn that info, you’ll hear it here first!

What a great way to start the week! Here’s the official press release that’s hitting the wires this morning…

VH1 PUTS A RING ON FLAVOR UNIT’S SINGLE LADIES WITH SECOND SEASON RENEWAL

VH1’s First Hour-Long Scripted Drama Series Scores Big Ratings with Women

Season One Finale Airs Monday, August 8 at 9 p.m. ET/PT

Los Angeles, CA – July 18, 2011 – VH1 has greenlit a second season of the breakout scripted drama/comedy series Single Ladies. The network’s first hour-long scripted series, Single Ladies has become a certified hit, averaging 2.8 million total viewers during premiere plus first encore each Monday night. Paired with VH1’s unscripted series Basketball Wives, the network is ranked #1 on cable with women in the key 18-34 demo Monday nights (8pm-12am) on cable since both series’ May 30 premieres. The second season of Single Ladies is expected to begin filming in late 2011 and is slated for premiere in 2012.

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Justin Vernon‘s star has steadily risen since the release of his band Bon Iver‘s critically acclaimed 2008′s For Emma, Forever Ago. The follow-up, Bon Iver, Bon Iver, won’t be released until June 21, but the lead single “Calgary” is available for free download from the band’s website, and Vernon appeared on Late Night with Jimmy Fallon—but to perform not the single, but its B-side, his emotive take of Bonnie Raitt‘s 1991 mega-hit “I Can’t Make You Love Me,” with a snippet of Leon Russell‘s “A Song for You” (made famous by Donny Hathaway) as a lead-in and a bit of Raitt’s “Nick of Time” as a coda.

Vernon’s sorrowful falsetto impressed not only Fallon (who described For Emma, Forever Ago it in his interview with Vernon as a “fantastic record” to “have a couple glasses of wine, get drunk…and start crying your eyes out”) but also Kanye West, who recruited Vernon to sing the hook of “Lost in the World” on My Beautiful Dark Twisted Fantasy and invited him to appear onstage with West at Coachella.

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We’ve put the second week of VH1′s brand new morning show, Big Morning Buzz Live, to bed for this week. However, we’ll be back up at the crack of dawn on Monday with a fresh new week of exciting celebrity interviews, performances from some of today’s hottest musical acts, and some of the most outrageously fun pop culture conversation going on anywhere these days. However, this being the Internet and all, we want to strip down that fourth wall as best we can and put you as close to the people stopping by our Times Square studio as technology will allow us. And until someone builds teleportation devices like Jeff Goldblum did in The Fly, the best possible way to do that is by using VYou.

The process could not be any more simple (we tested it, just trust on this one). First, submit a question for either our lovely host Carrie Keagan or any of our upcoming guests through the widget above or by visiting our Big Morning Buzz Live page on VYou.com. Then, kick back and wait for them to respond via webcam when they stop by our offices. Science!

Remember, if you have a specific question for a specific celebrity, just leave their name IN CAPS to denote that a particular question is intended for them. You can submit questions anonymously, but if you leave your email, you’ll receive a notification if and when one of the many stars that swing by our set answers your query. Next week, people like Queen Latifah, Hilary Duff, Malcolm McDowell and Basketball Wives star Tami Roman will be popping by. The time is now, people! Put your question-asking hats on and let’s do this.

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Fun with rumors time! Queen Latifah is allegedly planning on marrying her supposed longtime girlfriend Jeannette Jenkins this summer, after gay marriage is legalized in California. The only problem is that Queen’s never come out – about her sexuality or her relationship with Jenkins – so all we can do is speculate (and we do it well). The National Enquirer says that the couple is “‘planning an intimate ceremony with close family and friends.’ Latifah has said she would like to adopt a child, particular an American baby, and this may be the first step toward showing her commitment to Jeannette and to providing a stable home life.”

Last year Queen bought Jeannette a new Range Rover, which she had delivered as a surprise during a lunch out. Will she surprise her “trainer” this year with a diamond ring? Stay tuned! [Bossip]

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Three years ago Queen Latifah flipped the script with The Dana Owens Album, letting us know that blues and jazz were just as much a part of her program as beats and flow. With a “been there, done that” attitude, she left hip-hop behind and moved into other territories. Unsurprisingly, confidence was everywhere in the new music. The singer had already received kudos for another move that widened her career circle: starring in such films as Bringing Down the House, Last Holiday, and Chicago. The same swagger that marked her approach to rap was central to her acting and singing. (Check her latest VH1 show, Bridging the Gap, which connects her with Eve.)

Now she’s back with Travelin’ Light, a smart follow-up to that jazzy debut that packs an even bigger punch. If performance is about charisma and commitment, Latifah is pushing all the right buttons. Some tracks explode, some get overtly sultry, and on the sweet bossa nova “Quiet Nights” she makes some tough vocal maneuvers seem like a breeze. We sat down for a chat about her new musical persona.

VH1: You sang live in front of the band on some tracks. It must be exciting to have those horns wailing right in front of you on something like “I’m Going To Live Until I Die.”

QUEEN LATIFAH: It’s the song I’m coming out to our tour. It’s my life anthem. I want to be someone who lives life to the fullest. I had a great example from my 94-year-old grandmother who took it ‘til the end. The pace of the song and energy is fun. And yeah, it’s a kick. I’ve been a big Sarah Vaughan fan, but I didn’t know that one. Prepping for this disc I bought a bunch of jazz – a whole lot of Quincy Jones. And what struck me was how lush his big band sound was. I made myself calm down eventually, but I knew I wanted something strong like this.

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They have virtually the same skin tone, now the same stringy, translucent hair (as rocked by Latifah at last night’s Los Angeles premiere of Hairspray), and the same body type…er, well, whatever. Two out of three. Same! Think about it: have you ever seen them in the same place at the same time?

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Truthfully, I know that Latifah’s and Donatella’s faces look virtually nothing alike. I just wanted an excuse to post my favorite picture ever of Donatella (the one directly above: duh). After you’re done drooling over it, let it serve as a warning: her teeth are taking over the world, whether you like it or not.

[All images: Getty]