A Tribe Called Quest dropped their second full-length album, The Low End Theory, in late September of 1991. Widely recognized as a ground-breaking work today because of the manner in which it experimentally weaved layers of sampled jazz elements into its sound-bed, the album earned a spot in Time’s All-Time 100 Albums List, was named the #154 album of all-time by Rolling Stone and was celebrated at 2007′s VH1 Hip Hop Honors. The group recalls that early chapter of their career vividly, and last week, for A Tribe Called Quest’s first joint-interview since 1998, all four members of the group spoke exclusively to VH1 to mark the 20th anniversary of The Low End Theory’s release.

Aside from our celebration of this Album-Versary, ATCQ has been in the news quite a bit recently. Michael Rapaport’s award-winning documentary film, Beats, Rhymes & Life: The Travels of A Tribe Called Quest, played the festival circuit earlier this year, is due on DVD next month, and managed to kick up quite a media dirt-cloud in the process. In addition to providing an inner glimpse of the film’s starring group-members’ intertwined history, Beats, Rhymes & Life used issues surrounding a 2008 miscommunication-turned-scuffle between MCs Phife and Q-Tip as its second focus. Tribe’s fractured support of the film triggered cascading rumors of residual intra-group turmoil, but once content and contract disagreements and an intercepted-email incident were sorted out, the doc was finally released with ATCQ’s blessing.

For Questers, music fans and students of hip hop culture, Beats, Rhymes and Life is a must-see, but the effect it had on the lives of everyone involved in the project and the press frenzy that lingers might still be a bit misleading to the outside world. In order to help contextualize this landmark album’s impact, we spoke with MTV’s in-house hip hop expert Sway, cultural critic extraordinaire Nelson George, and international journalist Boss Lady about the resonance that this LP had then, and also now, 20 years later. And while A Tribe Called Quest appears to still be somewhat re-acquainting themselves with each other after dissolving in 1998 and wrestling with the last few years’ shell-shocking chain of events, it was clear from the time we spent with them that Kamaal “Q-Tip” Ibn John Fareed, Malik “Phife Dawg” Taylor, Ali Shaheed Muhammed and, yes, even Jarobi White are still very much an unbreakable Tribe of brothers.

[click to continue…]

The nominees for the 2012 Class of the Rock And Roll Hall Of Fame were announced earlier today. The group is, as it has been for the last few years, an eclectic bunch made up of artists from a wide variety of musical genres: New nominees this year include The Cure, Eric B. & Rakim, Guns N’ Roses, Heart, Freddie King, the Red Hot Chili Peppers, Rufus and Chaka Khan, the Small Faces, the Spinners, and War, while holdovers that failed to get inducted last year are Beastie Boys, Donna Summer, Donovan, and Laura Nyro.

The RRHOF’s induction process is mysterious and secretive, so you don’t see the same kind of public campaigning by nominees for induction that you see in, say, the sports world. However, that doesn’t mean that the committee who makes the decisions of who gets honored and who gets snubbed isn’t reading this blog post. So, with that in mind, vote for the act that you feel is most deserving of the honor in our poll below, and maybe, just maybe, Jann Wenner and his band of choosy cronies will pay heed!

Rock Hall of Fame Nominates Guns ‘N Roses, Joan Jett, Beastie Boys [FoxNews]

As the Red Hot Chili Peppers release their tenth studio album this week, we can’t help but daydream ruminate about how much of a sex symbol frontman Anthony Kiedis was—who could forget the sock?!—and still is. Time has been kind to Mr. Suck My Kiss, and he is definitely not alone in that regard; there’s an entire legion of men in music whose good looks and sex appeal have fermented in the manner of a perfectly-mature wine.

Whether you grew up with one of their faces taped to your Trapper Keeper or you’re old enough to be their mom, there’s a hunk on this list for you. From rock to hip hop, songwriters to bass players, we’ve got Arena Gods, men who are Good With Their Hands, Smooth Operators, International Flavors, and like the Chili Peppers’ singer, Spicy Sex Symbols. Keeping it simple, we’re celebrating the 45 to 70-year-old vintages by exhibiting their physical evolution through their respective careers. You’ll be taking in images from when they got their start, their “middle years,” and how they look in the present. Take a moment to step into the wine cellar and relish in each man’s beauty of the past and, at the end,toast to their continued maturing in the future by weighing in on who you think has aged best. Apologies in advance for the ladyboners!

The Beatles‘ last public performance, on the roof of 3 Savile Row on January 30, 1969, has become iconic since being included in the Let It Be film, and the Red Hot Chili Peppers are the latest to pay homage to the Beatles’ performance, in the Marc Klasfeld-helmed video for “The Adventures of Rain Dance Maggie.” It takes more than just a rooftop and a PA to make a truly iconic rooftop performance, and five have stood above the rest; we’ve listed them chronologically. Check them out, and let us know in the comments if you think Kiedis and co. measure up!

1987: U2, “Where The Streets Have No Name”
U2 were deep in Beatle-appreciation mode when they shot the video for “Where The Streets Have No Name” on a roof in Los Angeles, at the corner of Seventh and Main, which a radio announcer in the video describes as “not one of your more fun neighborhoods.” (Oh, 1987.) The video is a pretty direct homage, down to the shots of police trying to shut the performance down, though Bono looks less like a Lennon and more like an Eddie Vedder style icon. On U2′s tour that same year, the band covered “Helter Skelter,” which Bono introduced, (as heard on live album Rattle and Hum,) “This is a song Charles Manson stole from the Beatles. We’re stealing it back.”

[click to continue…]

It’s always Christmas somewhere on the Internet. Yesterday saw the leak of Lady Gaga‘s “Yoü And I” video, and today we’re excited to share “The Adventures of Rain Dance Maggie,” the new Red Hot Chili Peppers video that was slated to premiere tomorrow. The quartet rocks a rooftop in Venice Beach in an homage to the BeatlesLet It Be performance.

Eagle-eyed readers may have noticed that when we shared a 30-second sneak preview on Monday, we credited the video to director Marc Klasfeld, not VMA-nominated artist Kreayshawn, who’d originally been tapped to direct, and who even reblogged a picture of the slate from on set. What happened? So far, the Red Hot Chili Peppers’ camp isn’t talking, although bassist Flea did tweet, “for those asking, the Kreayshawn vid just didnt work out, that happens sometimes, i think Kreayshawn is awesome and a great artist.” Maybe she and the band just had irreconcilable ideas about what the video should be. In any case, barring some sort of leak, it’s doubtful that the Kreayshawn-shot footage will see the light of day.

That’s alright with us—Klasfeld did a fine job with this clip—a simple performance piece enlivened by its setting. The one absent Let It Be element is disapproving police or security, which was a good exclusion. 5-0 would have made this oceanside sunset performance significantly less chill.

The highlight of the video (other than, for punk fans, the Off! cap Anthony Kiedis sports at first) is guitarist Josh Klinghoffer. The Red Hot Chili Peppers haven’t changed much in their performance style or look (though they’re much more likely to wear more clothing than their occasional “one sock apiece” performances) but Klinghoffer is the new guy (brought in when his pal John Frusciante announced he wouldn’t be rejoining the band after their hiatus). At 31, he’s also a generation younger than the other guys, and his excited performing style is the diametric opposite of Frusciante’s laid-back lead guitar. To put it another way, Klinghoffer plays guitar like a bassist. Note in particular his solo, which he performs as though the guitar is leading him around and he can’t help but do its bidding. There’s nothing wrong with the Chili Peppers we know and love, but the fresh dynamic Klinghoffer brings to the table is a welcome addition.

[click to continue…]

Last month the Red Hot Chili Peppers premiered “The Adventures of Rain Dance Maggie,” the lead single from the forthcoming I’m With You. Later this week, they’ll be premiering the single’s video exclusively on our site and MTV.com, but we’ve got a thirty-second sneak peek for you right now!

The Peppers look to be pulling a reverse-Beatles in the clip, which, by the way, was directed by Marc Klasfeld. Like the Beatles’ iconic performance in London, the Red Hot Chili Peppers are performing from a rooftop, and the footage is shot in faux-documentary style, as though the set is impromptu. “The Adventures of Rain Dance Maggie” is hardly a public farewell from an adopted home, though; the Venice Beach setting is very much a part of the SoCal band’s identity, not simply the capitol city where the Beatles’ studio was located. Also, the video is the band’s reintroduction (sans John Frusciante) after a brief hiatus. The guitarist (Josh Klinghoffer) may be new, but the rest of the band is a familiar bunch: a shirtless Flea bobbing and mugging and a shirtless Anthony Kiedis sporting questionable facial hair, and Chad Smith keeping the beat while wearing a Mickey Mouse shirt.

While you puzzle over the questions raised by this clip (mainly: Is it going to rain in the video?) take a look at two exclusive behind-the-scenes photos from the video shoot:


[click to continue…]

The “world premiere” of “The Adventures of Raindance Maggie,” the lead single from Red Hot Chili Peppersforthcoming album I’m With You, hit Los Angeles rock radio mainstay KROQ’s soundcloud late Friday afternoon. Why debut a song at such a press-unfriendly time? Simple: the song leaked in advance of its Monday debut, so the “world premiere” was quickly bumped forward. (According to RHCP forum Stadium Arcadium, the leak was accidental: a stream of the song, hosted on the band’s website, was accidentally made public early, and ripped by a fan before the error was corrected.)

[click to continue…]

It’s been over five years since the Red Hot Chili Peppers released Stadium Arcadium, their last (double) album of original material. In the intervening years, the band has undergone some very turbulent times, times which saw guitarist John Frusciante –who many consider to be the band’s “secret sauce”– leave the group and bassist Flea seriously consider doing the same. However, the bond between Anthony Kiedis, Flea and drummer Chad Smith ended up prevailing and the guys, along with new guitarist Josh Klinghoffer, will be releasing their new LP, I’m With You, this August.

Yesterday afternoon, the band released the album’s cover, designed by bad boy British artist Damien Hirst. It’s an oddly conceptual choice and supremely “arty” choice by the Chili Peppers, whose previous album covers have generally either been fairly literal in their interpretations of the album’s themes (see: Californication, Stadium Arcadium) or designed to reinforce the public perception of the band as embracers of hedonism (see: Mother’s Milk, Blood Sugar Sex Magik). It’s also supremely sterile for a band that’s known for having a funky, slinky, sexy sound that’s anything but sterile.

When pressed for comment on it, Kiedis told Classic Rock magazine that, “It’s an image. Its art. Iconic. We didn’t give it it’s meaning but it’s clearly open to interpretation.” So then, what’s YOUR interpretation of it? Is it a bold statement about Big Pharma? Did the Chili Peppers want to memorialize an old lady who recently swallowed a fly (that perhaps died)? If you have any theories, we’d love to hear ‘em.

Damien Hirst Does Cover Art for Red Hot Chili Peppers’ New Album [BlackBook]